I am a freelance VFX Producer with over a decade of experience in production in visual effects for Film, TV, and feature animation.
I began my career working in pre-production at animation powerhouses Blue Sky Studios, LAIKA, and Animal Logic. Working at these studios taught me the basics of production and how to best support each artist and make sure they have the tools they need to create the best frame, shot, asset, etc. that they can. After working on a number of feature animation films, I was hired at MPC as a VFX Production Manager. Here, I familiarized myself with the VFX pipeline and quickly mastered scheduling for thousands of shots, hundreds of artists, as well as dozens of coordinators and production assistants.
My time at MPC in Montreal led to an opportunity in the company’s New York office to produce the VFX for an independent feature film on Netflix. This role gave me the chance to learn the bidding process and the financial details of production. That knowledge led to my most recent role as a Producer for The Molecule. Initially, I was the VFX producer on Ballers Season 5 and after wrapping moved on to producing the VFX for Apple TV’s Dickinson Season 2.
In the ever-evolving world of VFX, I have repeatedly proven my ability to gather and motivate teams of creatives to meet aggressive goals under pressure. Through my travels, I have forged deep and lasting connections with artists all over the world, collaborating with them both in the studio as well as remotely. During my time at larger studios such as Animal Logic and MPC Film, I became adept at managing complex teams spanning multiple global locations. Alternatively, at my most recent place of work, The Molecule, smaller teams of artists were needed to meet fewer, but more demanding, deadlines. At each location, I was able to scale my crews accordingly and provide contacts for artists in any understaffed department.
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